{"title":"New Sigma 16-300mm \u0026 50-120mm F2.8 Lenses","description":null,"products":[{"product_id":"sigma-af-50-120mm-f2-8-dc-os-contemporary-lens-sony-e","title":"Sigma AF 50-120mm F2.8 DC OS | Contemporary Lens (Sony E)","description":"\u003cp\u003eThe Sigma 50-120mm F2.8 DC OS Contemporary is a compact telephoto zoom for APS-C cameras, offering a constant F2.8 aperture and an approximately 75-180mm equivalent range in 35mm terms. The Sony E-mount version measures just 99mm long and weighs 390g, combining a portable design with the lens’s large-aperture telephoto capabilities.\u003c\/p\u003e\u003cp\u003eIts 18-element, 13-group optical design incorporates one FLD element, three SLD elements, and four aspherical elements. This combination supports compact dimensions while correcting optical aberrations from the center of the image to the edges throughout the zoom range, helping maintain high contrast.\u003c\/p\u003e\u003cp\u003eTelephoto rendering gives the lens a range of creative uses, from portraits and outdoor events to product photography. At its approximately 180mm-equivalent long end, pronounced background blur and perspective compression can help a portrait subject stand out or produce a flatter-looking product composition with restrained perspective.\u003c\/p\u003e\u003cul\u003e\u003cli\u003e- Fast, quiet autofocus: Sigma’s HLA (High-response Linear Actuator) linear motor moves the focusing lens directly, without gears or other intervening mechanical parts. This direct-drive system provides high-speed, high-precision autofocus with quiet operation.\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003eFor video, the optical design limits focus breathing—the change in angle of view that can occur when focus changes. Reducing this shift helps preserve the composition during focusing and supports more natural-looking footage.\u003c\/p\u003e\u003cul\u003e\u003cli\u003e- Optical stabilization: The OS2 algorithm provides 6.5 stops of stabilization at the wide end and 4.5 stops at the telephoto end. These ratings follow CIPA guidelines and were measured at 50mm and 120mm using an APS-C mirrorless camera.\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003eThe control layout is deliberately minimal. Sigma omits switches such as the focus-mode selector and OS switch to keep the lens interface straightforward and intuitive while retaining its autofocus and stabilization functions.\u003c\/p\u003e\u003cp\u003eDust- and splash-resistant construction includes sealing at the mount connection, manual-focus ring, zoom ring, and cover connection. The lens can be used in light rain, but it is not waterproof: keep substantial splashes away from it, particularly near water. Water entering the lens can cause serious damage that may be impractical to repair.\u003c\/p\u003e\u003cp\u003eA water- and oil-repellent coating protects the frontmost lens surface. Water wipes away more easily, and the coating resists oils and fats sticking to the surface, making lens-surface maintenance easier in demanding shooting conditions.\u003c\/p\u003e\u003cp\u003eWithin Sigma’s Contemporary lineup, this lens complements the 10-18mm F2.8 DC DN and 18-50mm F2.8 DC DN. Together, the three lenses form a constant-F2.8 zoom system spanning ultra-wide-angle through telephoto. Sigma lists their combined weight as approximately 2 pounds (935g), providing broad focal-length coverage in a portable three-lens system.\u003c\/p\u003e\u003cul\u003e\u003cli\u003e- Sigma’s Mount Conversion Service is available for this lens.\n- Every lens is tested using Sigma’s proprietary MTF measurement system.\u003c\/li\u003e\u003c\/ul\u003e","brand":"Sigma","offers":[{"title":"Sony E","offer_id":67654175129964,"sku":"198983694658","price":799.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0604\/0515\/3875\/files\/01_pphoto_50_120_28_dc_os_026_emt_representative_1000px_1.png?v=1791479202"},{"product_id":"sigma-16-300mm-f3-5-6-7-dc-os-contemporary-lens-z-mount","title":"Sigma 16-300mm F3.5-6.7 DC OS Contemporary Lens (Z mount)","description":"\u003cp\u003eThe Sigma 16-300mm F3.5-6.7 DC OS Contemporary is an all-in-one APS-C mirrorless zoom with an 18.8x zoom ratio. Its wide-angle-to-super-telephoto range provides a 24-450mm equivalent field of view in 35mm format, covering subjects from landscapes and interiors to sports, wildlife and aviation without changing lenses.\u003c\/p\u003e\u003cp\u003eClose-up capability extends across the zoom range. Maximum magnification reaches 1:2 at 70mm for detailed photographs of flowers, insects and other small subjects, with 1:3 magnification available at the wide end and 1:4 at the telephoto end.\u003c\/p\u003e\u003cp\u003eThe design prioritizes portability through its mechanical and optical construction, including a high-refractive-index glass element with substantial thickness variation and an aspherical element. The Nikon Z version measures 73.8mm x 125.4mm \/ 2.9in. x 4.9in. and weighs 630g \/ 22.2oz. Lens length is measured from the front of the lens to its mount.\u003c\/p\u003e\u003cp\u003eSigma's High-response Linear Actuator (HLA) drives the focusing elements directly, without gears or other intervening mechanical parts, for quiet, precise autofocus. Its fast, smooth focusing helps capture moving subjects such as birds and aircraft.\u003c\/p\u003e\u003cp\u003eThe Nikon Z version uses a control algorithm specifically optimized for autofocus speed and camera communication. It supports AF-C continuous autofocus and in-camera aberration correction on compatible cameras.\u003c\/p\u003e\u003cp\u003eOptical stabilization uses Sigma's OS2 algorithm to reduce camera shake during handheld shooting, including in low light and at full zoom. Stabilization is rated at 6 stops at the wide end and 4.5 stops at the telephoto end, measured on an APS-C camera at 16mm and 300mm according to CIPA standards.\u003c\/p\u003e\u003cul\u003e\u003cli\u003e- Internal focusing moves elements within the lens without changing the barrel's length.\n- A wide-end zoom lock fixes the zoom ring to prevent the barrel from extending under its own weight during transport.\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003eThe optical layout contains 20 elements in 14 groups, including one FLD, four SLD and four aspherical elements. These specialized elements help correct aberrations and maintain sharpness throughout the zoom and focusing ranges.\u003c\/p\u003e\u003cp\u003eFlare and ghosting are addressed through light-incidence testing, optical simulation and Sigma's Super Multi-Layer Coating. The coating reduces reflections within the lens and between the lens surfaces and a digital camera's image sensor, helping preserve image contrast in difficult lighting.\u003c\/p\u003e\u003cp\u003eFocus breathing is suppressed throughout the zoom range to limit changes in angle of view as focus shifts. This helps maintain consistent framing for video and multi-shot photography techniques such as focus stacking.\u003c\/p\u003e\u003cp\u003eDust- and splash-resistant construction includes sealing at the mount connection, manual focus ring, zoom ring and cover connection. A water- and oil-repellent coating on the front element helps keep contaminants from adhering and makes cleaning easier. The lens is not waterproof: avoid exposure to large amounts of water, which can cause severe internal damage.\u003c\/p\u003e\u003cp\u003eOn supported cameras, lens aberration correction can compensate for peripheral illumination, chromatic aberration and distortion. Available corrections and automatic operation vary by camera model. Where correction settings use ON\/OFF options, Sigma recommends setting all aberration correction functions to ON (AUTO).\u003c\/p\u003e\u003cul\u003e\u003cli\u003e- A precision brass bayonet mount uses treated surfaces and reinforced construction for durability.\n- The nine-blade rounded diaphragm helps produce rounded out-of-focus highlights near maximum aperture.\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003eThe lens is made in Aizu, Japan, and each unit is tested with Sigma's proprietary MTF measuring system. Sigma also lists Mount Conversion Service availability for this lens.\u003c\/p\u003e\u003cp\u003eThe lens received the 2025 TIPA World Award for Best APS-C Travel Lens.\u003c\/p\u003e","brand":"Sigma","offers":[{"title":"Nikon Z","offer_id":67654175326572,"sku":"198983887739","price":769.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0604\/0515\/3875\/files\/product_img01_sku887_2.png?v=1791479447"},{"product_id":"sigma-af-50-120mm-f2-8-dc-os-contemporary-lens-canon-rf","title":"Sigma AF 50-120mm F2.8 DC OS | Contemporary Lens (Canon RF)","description":"\u003cp\u003eThe Sigma 50-120mm F2.8 DC OS | Contemporary combines a constant F2.8 aperture with a compact telephoto zoom design for APS-C mirrorless cameras. The Canon RF version measures ⌀69.0mm x 97.0mm and weighs 410g \/ 14.5oz., bringing the lens's large-aperture shooting capabilities into a portable package.\u003c\/p\u003e\u003cp\u003eIts 18-element, 13-group optical design includes one FLD element, three SLD elements and four aspherical elements. This combination balances compact dimensions with correction of optical aberrations throughout the zoom range. The design maintains high contrast from the center of the image to the edges rather than concentrating performance only in the middle of the frame.\u003c\/p\u003e\u003cp\u003eTelephoto rendering provides pronounced background blur and a compressed perspective for a range of subjects. Portraits can emphasize the subject against the background, while product photographs can use the flatter perspective to keep apparent depth in check. Sigma also positions the lens for outdoor events, where its telephoto reach and portable design suit varied scenes.\u003c\/p\u003e\u003cp\u003eThe 50-120mm joins Sigma's 10-18mm F2.8 DC DN | Contemporary and 18-50mm F2.8 DC DN | Contemporary in a three-lens zoom series. Together, these lenses cover ultra-wide-angle through telephoto shooting while maintaining a constant F2.8 aperture, offering a way to build a versatile APS-C system around compact, large-aperture zooms.\u003c\/p\u003e\u003cp\u003eFor video, the optical design reduces focus breathing—the change in angle of view that can occur as focus moves. Suppressing these shifts helps the composition remain more consistent during focusing, supporting more natural-looking focus transitions without a pronounced change in framing.\u003c\/p\u003e\u003cp\u003eSigma's HLA (High-response Linear Actuator) powers high-speed autofocus. This proprietary linear motor moves the focusing lens directly, without gears or other intervening mechanical parts. The direct-drive arrangement delivers quiet, high-precision focusing alongside the fast autofocus response.\u003c\/p\u003e\u003cp\u003eOptical stabilization uses Sigma's OS2 algorithm, with compensation rated at 6.5 stops at the wide end and 4.5 stops at the telephoto end. These ratings are based on CIPA guidelines, measured at focal lengths of 50mm and 120mm using an APS-C mirrorless camera.\u003c\/p\u003e\u003cp\u003eThe exterior takes a minimalist approach to controls. Dedicated focus-mode and OS switches have been omitted, keeping the lens's physical interface simple despite its autofocus and stabilization features.\u003c\/p\u003e\u003cp\u003eDust- and splash-resistant construction uses sealing at the mount connection, manual focus ring, zoom ring and cover connection. The front surface also has a water- and oil-repellent coating that makes water easier to wipe away and helps prevent oily residue from adhering. The lens is not waterproof: avoid large amounts of splashing water, as water entering the lens can cause a major malfunction.\u003c\/p\u003e\u003cul\u003e\u003cli\u003e• An 11-blade rounded diaphragm controls the aperture.\n• Minimum focusing distance ranges from 23cm \/ 9.1in. at the wide end to 55cm \/ 21.7in. at the telephoto end.\n• Maximum magnification is 1:3 at the wide end and 1:4.7 at the telephoto end.\n• The lens accepts 55mm filters.\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003eEvery lens is checked using Sigma's proprietary MTF measuring system. Sigma also lists its Mount Conversion Service as available for this lens.\u003c\/p\u003e","brand":"Sigma","offers":[{"title":"Canon RF","offer_id":67654175490412,"sku":"198983694726","price":799.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0604\/0515\/3875\/files\/03_pphoto_50_120_28_dc_os_026_rfmt_representative_1000px.png?v=1791479995"},{"product_id":"sigma-af-50-120mm-f2-8-dc-os-contemporary-lens-x-mount","title":"Sigma AF 50-120mm F2.8 DC OS | Contemporary Lens (X mount)","description":"\u003cp\u003eThe Sigma 50-120mm F2.8 DC OS | Contemporary is a compact telephoto zoom for APS-C mirrorless cameras, with a constant F2.8 aperture and coverage equivalent to approximately 75mm to 180mm in 35mm terms. Its combination of telephoto reach, a large aperture and portability suits subjects ranging from portraits to outdoor events.\u003c\/p\u003e\u003cp\u003eThe FUJIFILM X-mount version measures ⌀66.8mm x 99.3mm \/ ⌀2.6in. x 3.9in. and weighs 390g \/ 13.8oz., keeping the lens easy to carry without giving up its constant F2.8 aperture. Lens length is measured from the front of the lens to its mount.\u003c\/p\u003e\u003cp\u003eIts 18-element, 13-group optical design includes one FLD element, three SLD elements and four aspherical elements. This arrangement balances compact dimensions with correction of optical aberrations, helping maintain high contrast from the center to the edges throughout the zoom range. At the telephoto end, pronounced background blur and compression can isolate portrait subjects or keep perspective restrained in product photography.\u003c\/p\u003e\u003cp\u003eAlongside Sigma's 10-18mm F2.8 DC DN | Contemporary and 18-50mm F2.8 DC DN | Contemporary, this lens completes a constant-F2.8 zoom lineup spanning ultra-wide-angle through telephoto. Sigma lists the combined weight of the three lenses at about 2 pounds (935g), making the series an option for building a portable, large-aperture system.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e- Fast, quiet autofocus: Sigma's HLA (High-response Linear Actuator) linear motor moves the focusing optics directly, without gears or other intervening mechanical parts, for high-speed, high-precision focusing.\u003c\/li\u003e\n\u003cli\u003e- Optical stabilization: The OS2 algorithm provides 6.5 stops of stabilization at the wide end and 4.5 stops at the telephoto end. These ratings follow CIPA guidelines and were measured at 50mm and 120mm using an APS-C mirrorless camera.\u003c\/li\u003e\n\u003cli\u003e- Reduced focus breathing: The optical design limits changes in angle of view during focusing, helping video compositions remain steady as focus shifts.\u003c\/li\u003e\n\u003cli\u003e- Simplified controls: The lens omits focus-mode and OS switches for a minimal interface designed to remain straightforward to operate.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eFor outdoor use, the lens has a dust- and splash-resistant structure with sealing at the mount connection, manual focus ring, zoom ring and cover connection. A water- and oil-repellent coating on the front surface makes water easier to wipe away and helps prevent oil and grease from adhering. The lens is not waterproof: avoid large splashes, as water entering the lens can cause a serious malfunction.\u003c\/p\u003e\u003cp\u003eEvery lens undergoes testing with Sigma's proprietary MTF measurement system. Sigma also lists mount conversion service as available for this lens.\u003c\/p\u003e","brand":"Sigma","offers":[{"title":"Fuji X","offer_id":67654175687020,"sku":"198983694757","price":799.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0604\/0515\/3875\/files\/product-image-28f035ec-0e8d-46b7-b317-2d3a43217a7c.webp?v=1791482802"}],"url":"https:\/\/www.districtcamera.com\/collections\/new-sigma-16-300mm-50-120mm-f2-8-lenses.oembed","provider":"District Camera","version":"1.0","type":"link"}