Sony PXW-FS7M2 4K XDCAM Super 35 Camcorder Kit with 18-110mm Zoom Lens

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New Model Delivers Advanced Features for Documentary and Indie Production with Electronic Variable ND Filter, Lever Lock Type E-mount and Refined Mechanical Design 

Sony is expanding its FS Series Super 35mm professional family with the addition of the new FS7 II camcorder. The new model builds on the original FS7's strengths by adding advanced features including Electronic Variable ND technology, a lever lock type E-mount, and a new mechanical design for faster and easier set-up. The new FS7 II camcorder also supports Sony's a Mount System, which includes more than 70 lenses.

• ITU-R BT.2020 recording: is directly compatible with BT.2020 distribution 
• Pop-up LCD monitor hood: in addition to the detachable eyepiece 
• Improved eyepiece hook: for more secure attachment 
• Easier access to media cards: for convenient removal 

Since its introduction in 2014, the FS7 has become one of the most widely used cameras in a range of production applications, and the original FS7 model remains in the Sony line-up. The new FS7 II now gives creative professionals a broader range of creative tools, with new features all based on end user feedback. 

The new FS7 II camcorder is designed for long-form shooting and production applications, especially documentaries and independent filmmaking. Sony is also introducing an FS7 II kit model which includes a new E-mount, Super 35mm lens, model SELP18110G (18-110mm), covering Super35mm and APSC sensors. 

New Sony 18-110mm Sony G lens 
Sony is also introducing an FS7 II kit model including a new E-mount, Super 35mm lens. The new lens, model SELP18110G, covers Super35mm and APSC sensors. Compact and lightweight - 2.4 lbs (1.1Kg) - with an 18 to 110 focal range (6x zoom) it uses a new fully mechanical/servo zoom switchable system, capable of snap zooms and entirely devoid of lag. The focal range is optimized for Super 35 and APS-C sensors. 

The lens is compatible with Sony a Mount System cameras, including the a7 series interchangeable-lens cameras and professional Super 35mm 4K camcorders like Sony's FS7 or FS5. Although perfectly suited for still image taking, filmmakers will fully appreciate the lens' extended creative capabilities for shooting motion images. 

The lens benefits from Sony's Smooth Motion Optics (SMO) design, which is developed to optimize performance during motion image capture. This lens design eliminates undesirable characteristics and artifacts that do not affect still image capture, but can severely limit a lens' usefulness for motion shooting, such as: 

• Ramping: F stop gradually diminishes when zooming tight. 
• Not holding focus while zooming. 
• Breathing (angle of view variation while focusing). 
• Optical axis shift (image moves in the frame while zooming). 

Electronic Variable ND Technology 
The camcorder's Electronic Variable ND Filter system, combined with its large sensor, delivers greater exposure control, with the option of preset or variable operation modes. Variable ND mode (seamless ND attenuation within the camera's 2-7 stop range) allows the user to vary the density of the ND filter during shooting and to transition seamlessly between steps. 

The camera's expanded ND operations also enables fine exposure adjustment by relegating iris to set depth of field, prevents soft focus caused by diffraction, and prevents color shift caused by stacking multiple external ND filters. Preset mode lets users assign three ND settings to the filter turret, useful in selecting the most appropriate filtration range for changing light conditions. Auto ND mode is also available allowing exposure to stay at a fixed level while adjusting the depth of field with iris control. 

E-mount (Lever Lock type) for professional shooting 
The FS7 II's new E-mount (lever lock type) gives users the ability to change lenses by rotating the locking collar rather than the lens itself, which means that in most cases lens support rigs don't need to be removed, saves time during a production. 

Mechanical Design Enhancements 
Like its counterparts in the FS Series family - the FS7 and FS5 models - the new FS7 II features several design and ergonomic updates for comfortable and functional use in the field. 

The FS7 II's 'tool-less' mechanical design lets users make on-the-fly changes to the camera's set-up and operation. For example, no tools are required to adjust the Smart Grip or viewfinder positions. 

The viewfinder eyepiece provides a third stabilizing contact point when shooting handheld. Durable square section rods and lever-clamps on the LCD and camera body provide simple and precise front-to-back VF adjustment while retaining level positioning. 

XQD Cards 
The FS7 II supports the XQD memory card format, designed for capturing and transferring high-bandwidth, high resolution files. Sony is also introducing a new XQD card, QD-G256E with an industry first 256GB capacity which enables a recording time of approximately 45 minutes at 4K 60P and 3.5 hours at 2K 30P. Combined with a read speed of up to 440MB/s and write speed of up to 400MB/s, users can shoot for longer without needing to change media cards.

Image Device
Super 35mm Single-Chip Exmor CMOS
Effective Picture Elements
17:9 4096 (H) x 2160 (V) 
16:9 3840 (H) x 2160 (V)
Signal-to-Noise Ratio
57 dB (Y)
2000 lx, 89.9% reflectance: 
T14 (3840 x 2160/23.98p mode 3200K) 

ISO Sensitivity: 
ISO 2000 (S-Log3 Gamma D55 Light source)
Minimum Illumination
0.7 lux: +18 dB,23.98p,Shutter OFF,ND Clear, f/1.4
Signal System
Built-in Filters
Clear, 1/4, 1/16, 1/64
LCD Monitor
3.5" (8.8cm) 
Approx: 1.56M dots
Shutter Speed
1/3 to 1/9000 of a sec
White Balance
Memory A 
Memory B (1500K-50000K)/ATW
Gain Selection
-3, 0, 3, 6, 9, 12, 18 dB, AGC
Gamma Curve
Shooting Formats
4K 4096 x 2160:
12-bit raw 

UHD 3840 x 2160:
10-bit 4:2:2 XAVC-I 
8-bit 4:2:0 XAVC-L 

2K 2048 x 1080:
12-bit raw 

HD 1920 x 1080:
10-bit 4:2:2 XAVC-I 
10-bit 4:2:2 XAVC-L 
MPEG2 4:2:2 

HD 1280 x 720: 
MPEG2 4:2:2
Audio Recording Format
LPCM 24 bits, 48 kHz, 4 channels (Recording/Playback 2 channels)
59.94P CBG, bit rate 600 Mb/s 
50P CBG, bit rate 500 Mb/s 
29.97P CBG, bit rate 300 Mb/s 
23.98P CBG, bit rate 240 Mb/s 
25P CBG, bit rate 250 Mb/s
59.94P VBR, maximum bit rate 222 Mb/s 
50P VBR, maximum bit rate 185 Mb/s 
59.94i VBR, maximum bit rate 111 Mb/s 
50i VBR, maximum bit rate 112 Mb/s 
29.97p VBR, maximum bit rate 111 Mb/s 
23.98p VBR, maximum bit rate 89 Mb/s 
25p VBR, maximum bit rate 112 Mb/s
59.94p/50p mode: VBR, maximum bit rate 150 Mb/s 
29.97p/23.98p/25p mode: VBR, maximum bit rate 100 Mb/s
VBR, maximum bit rate 50 Mb/s
VBR, maximum bit rate 35 Mb/s
VBR, maximum bit rate 25 Mb/s
CBR, maximum bit rate 50 Mbps, MPEG-2 [email protected]
CBR, maximum bit rate 50 Mbps, MPEG-2 [email protected]
3840 x 2160/ 59.94p, 50p, 29.97p, 23.98p, 25p
1920 x 1080/59.94p, 50p, 59.94i, 50i, 29.97p, 23.98p, 25p
3840 x 2160/59.94p, 50p, 29.97p, 23.98p, 25p
1920 x 1080/59.94p, 50p, 59.94i, 50i, 29.97p, 23.98p, 25p
Recording Frame Rate
XAVC-I QFHD: 3840 x 2160/ 59.94p, 50p, 29.97p, 23.98p, 25p 

1920 x 1080/59.94p, 50p, 59.94i, 50i, 29.97p, 23.98p, 25p 

3840 x 2160/59.94p, 50p, 29.97p, 23.98p, 25p 

XAVC-L HD 50: 
1920 x 1080/59.94p, 50p, 59.94i, 50i, 29.97p, 23.98p, 25p 

XAVC-L 35: 
1920 x 1080/59.94p, 50p, 59.94i, 50i, 29.97p, 23.98p, 25p 

XAVC-L 25: 
1920 x 1080/59.94i, 50i
Recording Frame Rate (cont.)
MPEG-2 Long GOP MPEG HD422: 
1920 x 1080/59.94i, 50i, 29.97p, 23.98p, 25p 
1280 x 720/59.94p, 50p, 29.97p, 23.98p, 25p
Slow & Quick Motion Function
XAVC-I mode 3840 x 2160: 1 to 60 frames 
(59.94p, 50p, 29.97p, 23.98p, 25p) 
XAVC-I mode 1920 x 1080: 1 to 180 frames 
(59.94p, 29.97p, 23.98p) 
XAVC-I mode 1920 x 1080: 1 to 150 frames 
(50p, 25p) 
XAVC-L mode 3840 x 2160: 1 to 60 frames 
(59.94p, 50p, 29.97p, 23.98p, 25p) XAVC-L mode 1920 x 1080: 1 to 120 frames 
(59.94p, 50p, 29.97p, 23.98p, 25p)
Max Recording Time
XAVC-I mode QFHD 59.94p 
When using QD-G128A (128 GB): Approx. 22 minutes 
When using QD-G64A (64 GB) Approx. 11 minutes
Max Recording Time (cont.)
XAVC-I mode QFHD 50p 
When using QD-G128A (128 GB): Approx. 26 minutes 
When using QD-G64A (64 GB) Approx. 13 minutes
Media Card Slots
2 x XQD 
1 x SD (for configuration data only)
Audio Input
2x 3-pin XLR (Line/mic/mic +48) 
Mic Reference: -40. -50. -60 dBu
SDI Output
2x BNC HD/3G-SDI (SMTPE292M/424M/425M)
HDMI 2.0
1x Type A
USB device, miniB
1x Stereo mini jack (-16 dBu 16 Ohms)
Stereo mini jack (2.5mm)
Accessory Shoe
Multi-Interface (MI) shoe
Power Requirement
Power Consumption
Approx. 19W
Battery Operating Time
BP-U30: Approx. 1 hr 
BP-U60: Approx. 2 hr 
BP-U90: Approx. 3 hr
Operating: 32 to 104 deg F (0 to 40 deg C) 
Storage: -4 to 140 deg F (-4 to 140 deg C)
Dimensions (WxHxD)
6.14 x 9.41 x 9.72" (156 x 239 x 247mm)
Body: 4.4 lbs (2.0kg) 
Body with lens: 9.9 lbs (4.4kg)
Lens Specs
Mount: Sony E 
Format: APS-C 
Focal Length: 18-110mm 
35mm Equivalent Focal Length: 27-165mm 
Lens Elements/Groups: 18 / 15 
Angle of View: 76 to 14 deg 30' 
Maximum Aperture: f/4 
Minimum Aperture: f/22 
Number of Aperture Blades: 7 
Lens Specs (cont.)
Minimum Focus Distance 
AF/MF Mode Wide-Angle: 15.75" (40cm) 
AF/MF Mode Telephoto: 37.4" (95cm) 
Full MF Mode: 37.4" (95cm)
Lens Specs (cont..)
Maximum Magnification: 0.122x 
Filter Diameter: 95mm Optical Image Stabilization: yes Zoom Type: Mechanical or servo selectable Dimensions: Diameter: 4.3" (110mm) / Length: 6.6" (168mm) 
Weight: 2.4 lb (1.1kg) without tripod foot


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