The FX6 Cinema Line Camera puts revolutionary compactness and performance in the hands of creators, with its full-frame image sensor and breathtaking sensitivity. Leading-edge movie functions deliver game-changing performance and a library of cinematic looks, alongside pro interfaces and an electronic Variable ND Filter. Note: Operation of this equipment in a residential environment could cause radio interference.

Image sensor with blazing fast readout speed

The back-illuminated full-frame Exmor R^TM CMOS sensor, with 10.2 effective megapixels, boasts a blazingly fast data-readout speed along with high sensitivity and wide dynamic range. An advanced color-filter array boosts color-reproduction accuracy, while focal plane phase-detection AF enables solid autofocus stability and excellent precision, all of which contribute to outstanding image quality.

High-performance image-processing engine

The BIONZ XR^TM image-processing engine boasts class-leading speed performance, minimizing latency while providing impressive real-time processing capabilities. The engine performs real-time processing of AF, image recognition and image quality adjustments, while also handling data transfer, user interface and other camera operations.

4K High Frame Rate 120fps recording

Full-frame 4K (QFHD) recording at up to 120fps⁴ with autofocus is possible thanks to the high-speed readout capabilities of the image sensor and the powerful BIONZ XR processor. Even at high frame rates, ultra-detailed 4K (QFHD) images are captured using full-pixel readout without binning, for clear post-produced slow motion (up to five times slower than real time)^{6, 7}. The high-precision AF even allows beautiful full-frame bokeh to be achieved during slow-motion shooting, for impressive creative scope.

Acclaimed cinematic color with S-Cinetone^™

The inclusion of Sony's acclaimed S-Cinetone look, inherited from the development of the FX9, allows beautiful images to be achieved directly in-camera. S-Cinetone is optimized for natural skin tones and mid-range colors, with gentle highlight roll-off, for impressive subject depiction and powerful camera-matching and post-production possibilities.

Preset and User 3D LUT compatibility with Scene File

The Scene File function provides powerful color interpretation right in the camera, with a range of presets and custom User 3D LUT imports to fit your production or style requirements. Four preset scene file types are included for SDR shooting (S-Cinetone, Standard, Still, ITU709) and two for HDR (HLG Live, HLG Natural). A further 16 slots support User 3D LUT import to achieve custom looks, or for specific monitoring or color-space transforms.

10-bit HLG picture profile

A HLG (Hybrid Log-Gamma) HDR picture profile, complete with the wide-gamut BT.2020 color space, can be used for direct HDR (HLG) playback on compatible TVs. The result is true-to-life imagery close to what the naked eye can see, with detailed shadows and highlights, less blackout and less whiteout, all without the need for color grading. In particular, 10-bit recordings reproduce a level of fine gradation and detail for extraordinary realism. [1] High flexibility to fine-tune images as desired (color grading required)[2] Instant high-quality image (color grading not required).

S-Log3 for better reproduction of gradations

S-Log3 gamma curves are available, with S-Log3 designed for better reproduction of gradations from shadows to the mid-gray range (18% gray), enabling a dynamic range of up to 15+ stops⁴. Two color-gamut settings (S-Gamut3 and S-Gamut3.Cine) make it easier to match the colors of footage shot with Sony's Cinema Line Cameras. Because the colors match, color grading is easier in post-production editing, making it more convenient when used along with other pro cameras.

S-Log3 for better reproduction of gradations

S-Log3 gamma curves are available, with S-Log3 designed for better reproduction of gradations from shadows to the mid-gray range (18% gray), enabling a dynamic range of up to 15+ stops⁴. Two color-gamut settings (S-Gamut3 and S-Gamut3.Cine) make it easier to match the colors of footage shot with Sony's Cinema Line Cameras. Because the colors match, color grading is easier in post-production editing, making it more convenient when used along with other pro cameras.